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Unforgiven

Some legends will never be forgotten. Some wrongs can never be forgiven.

1992 · 130 min · Western
8.4 Modest
Western

William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

Country of origin
🇺🇸 United States
Year
1992

Trivia & behind the scenes

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Origins

The screenplay by David Webb Peoples dates back to 1976, when the project was developed under the titles 'The Cut-Whore Killings' and 'The William Munny Killings'. It was originally optioned by Francis Ford Coppola, who failed to raise enough money to develop it further.

Origins

Clint Eastwood received the script in the early 1980s but deliberately waited years before making it, feeling he should do other projects first.

Origins

In 1984, Eastwood's longtime story editor Sonia Chernus sent him a scathing memo about the script, calling it 'an insult to this company' and urging him to 'get rid of it FAST'.

Casting

Eastwood personally called Richard Harris to offer him the role of English Bob while Harris happened to be watching Eastwood's 1973 film High Plains Drifter, which made Harris initially think the call was a prank.

Casting

Gene Hackman was initially reluctant to take the role of Little Bill Daggett because his daughters were upset he kept starring in violent films, but his agent and Eastwood convinced him to accept.

Filming

Filming took place between August 26 and November 12, 1991, with much of the shoot occurring in Alberta, Canada, in August 1991 under director of photography Jack Green.

Filming

Production designer Henry Bumstead, who had previously worked with Eastwood on High Plains Drifter, was hired to create the film's deliberately 'drained, wintry look'.

Filming

The railroad scenes were filmed on the historic Sierra Railroad in Tuolumne County, California.

Trivia

Eastwood dedicated the film at the end of the credits to his mentors Sergio Leone and Don Siegel, with the message 'Dedicated to Sergio and Don'.

Music

The film's trailer music was composed by Randy J. Shams and Tim Stithem in 1992, while the main theme, 'Claudia's Theme', was composed by Clint Eastwood himself.

References

A 2013 Japanese remake directed by Lee Sang-il and starring Ken Watanabe transposed the story to Japan during the Meiji period, replacing the outlaw protagonist with a samurai.

Reception

Unforgiven's $15 million opening weekend was the best-ever opening for a Clint Eastwood film at the time and set a record for the highest August opening weekend, until it was surpassed a year later by The Fugitive.

Reception

In 2006, the Writers Guild of America ranked David Webb Peoples' screenplay for Unforgiven as the 30th-greatest ever written.

Reception

In 2004, Unforgiven was selected for preservation in the United States National Film Registry by the Library of Congress for being 'culturally, historically, or aesthetically significant'.

Memorable quotes

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All right now, I'm comin' out. Any man I see out there, I'm gonna kill him. Any son of a bitch that takes a shot at me, I'm not only gonna kill him. I'm gonna kill his wife, all his friends, burn his damn house down!

Will Munny Confronting his enemies before a final gunfight

You better bury Ned right! Better not cut up nor otherwise harm no whores, or I'll come back and kill every one of you sons of bitches.

Will Munny Warning Little Bill about killing his friend Ned

Now Ned, them whores are going to tell different lies than you. And when their lies ain't the same as your lies— Well, I ain't gonna hurt no woman. But I'm gonna hurt you. And not gentle like before, but bad!

Little Bill Daggett Threatening Ned after discovering lies about the prostitutes

I suppose you know, Bob, if I ever see you again I'm just going to start shooting and figure it was self-defense.

Little Bill Daggett Delivering a threat to English Bob about future encounters

[to English Bob] You been talking about the queen again? [punches him] On Independence Day?

Little Bill Daggett Punching English Bob for his royalist comments

Strawberry Alice: Just because we let them smelly fools ride us like horses don't mean we gotta let 'em brand us like horses. Maybe we ain't nothing but whores but we, by god, we ain't horses.

Strawberry Alice Standing up for prostitutes' dignity after violence

[discussing the assassination of President Garfield] If you were to try to assassinate a king, sir, the — how shall I say it? — the aura of royalty would cause you to miss. But, a president— [chuckles] I mean, why not shoot a president?

English Bob Discussing the vulnerability of presidents versus kings

Clyde: [about the house the Sheriff's building] You know, he don't have a straight angle in that whole god-damned porch, or the whole house for that matter. He is the worst damn carpenter.

Clyde Criticizing the Sheriff's carpentry work

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