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Lady Vengeance

All she wanted was a peaceful life… they didn't give it.

2005 · 115 min · Drama
7.2 Modest
Drama Thriller

Released after being wrongfully convicted and imprisoned for 13 years, a woman begins executing her elaborate plan of retribution.

Original title
친절한 금자씨
Country of origin
🇰🇷 South Korea
Year
2005

Trivia & behind the scenes

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Origins

Lady Vengeance concludes Park Chan-wook's 'Vengeance Trilogy', which began with Sympathy for Mr. Vengeance (2002) and continued with Oldboy (2003), and actors from the previous films make special appearances.

Casting

Before the leading role went to Lee Young-ae, several actresses such as Ko Doo-shim, Ko Hyun-jung and Kim Hee-sun had been considered to play Lee Geum-ja, without it coming to fruition.

Casting

The role of Geun-shik was initially supposed to go to Yoon Kye-sang, but he had to withdraw due to his sudden conscription for military service.

Casting

Song Kang-ho and Shin Ha-kyun, main actors of the two previous installments of the Vengeance Trilogy, appear in short roles as assassins as a nod.

Music

The main theme of the film is inspired by Vivaldi's cantata Cessate, omai cessate, notably the aria Ah ch'infelice sempre, and the orchestral score also draws on Vivaldi concertos and Paganini's Caprice No. 24, arranged in an elegant baroque style.

Music

The soundtrack was composed by Jo Yeong-wook, who had already composed the music for the previous films in the trilogy, with additional pieces signed by Choi Seung-hyeon.

Reception

The film was presented in competition at the 2005 Venice Film Festival, where it won the Young Lion Award, the prize for the most innovative film and the prize for cinema of the future.

Reception

In November 2009, British newspaper The Times ranked the film 97th on its list of the best films of the 2000-2009 decade.

What people are saying (1)

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T

Torrezno

1 week ago

Review ★ 8

El hecho de optar por una especie de drama de venganza “almodovariano” con esos planos y colores, en principio, puede echar para atrás al espectador, pero una vez ajustado el tono entre cínico y tremebundo de la película, uno no puede más que dejarse llevar y quedar arrebatado por el talento de su director. También sorprende la feroz crítica a la religión en la figura del predicador y lo muy muy duro que es el tramo final. Pero claro, a esas alturas ya estás absorbido por la intensidad abrumadora del film por completo.

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